| Ident. | Authors (with country if any) | Title |
|---|
| 000000 |
Marilyn Mccord Adams [États-Unis] | Psalm 85 |
| 000012 |
Lawrence T. Nichols [États-Unis] | Sorokin as Lifelong Russian Intellectual: The Enactment of an Historically Rooted Sensibility |
| 000040 |
Craig H. Russell [États-Unis] | Serra and Sacred Song at the Founding of California's First Missions |
| 000051 |
John R. Albright [États-Unis] | TIME AND ETERNITY: HYMNIC, BIBLICAL, SCIENTIFIC, AND THEOLOGICAL VIEWS |
| 000071 |
Jonathan Kregor [États-Unis] | Stylistic Reconstructions in Liszt's Late Arrangements |
| 000079 |
Paul Hawkshaw [États-Unis] | Anton Bruckner's Counterpoint Studies at the Monastery of Saint Florian, 1845–55 |
| 000084 |
Daniel S. Mollod [États-Unis] | BERLIOZ'S SYMPHONIE FANTASTIQUE: ENRICHING PSYCHOANALYTIC VIEWS OF CREATIVITY |
| 000106 |
Alan H. Goldman [États-Unis] | The Experiential Account of Aesthetic Value |
| 000146 |
Robert H. Woody [États-Unis] | Reality-Based Music Listening in the Classroom: Considering Students' Natural Responses to Music |
| 000150 |
Michael J. Oliver [États-Unis] ; Hugh Pemberton | Learning and Change in 20th‐Century British Economic Policy |
| 000152 |
Reinhold Brinkmann [États-Unis] | A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century |
| 000197 |
Helmut Feld ; James P. Sickinger [États-Unis] ; David Konstan [États-Unis] ; Helen King [Royaume-Uni] ; Hugh H. Benson [États-Unis] ; D. M. Hooley [États-Unis] ; Stanley M. Burstein [États-Unis] ; Géza Alföldy [Allemagne] ; Richard Jenkyns [Royaume-Uni] ; John M. Riddle [États-Unis] ; J. Verheyden ; Alain Le Boulluec ; François Paschoud [Suisse] ; Reinhold F. Glei [Allemagne] ; Brendan Dooley ; Charles Fantazzi [États-Unis] ; Franz-Hubert Robling [Allemagne] ; Daniel Katz [France] | Book reviews |
| 000208 |
Meredith Faith [États-Unis] ; Julian F. Thayer [États-Unis] | A dynamical systems interpretation of a dimensional model of emotion |
| 000227 |
R. Beverly Raney [États-Unis] | Music, medicine, and modus moriendi |
| 000242 |
Aaron Kramer [États-Unis] | Creative Defiance in a Death-Camp |
| 000286 |
Pasquale Accardo [États-Unis] | Arnoldisms |
| 000290 |
David Ingram [États-Unis] | The Copernican Revolution revisited: paradigm, metaphor and incommensurability in the history of science- Blumenberg's response to Kuhn and Davidson |
| 000353 |
Marilyn C. Vincent [États-Unis] ; Margaret D. Merrion | Meeting the Expressive Needs of Junior High Students |
| 000354 |
Stephen Watson [États-Unis] | Levinas, the ethics of deconstruction, and the remainder of the sublime |
| 000359 |
Erwin Chargaff [États-Unis] | Engineering a molecular nightmare |
| 000360 |
David Carrier [États-Unis] | EKPHRASIS AND INTERPRETATION: TWO MODES OF ART HISTORY WRITING |
| 000392 |
David E. Dickinson [États-Unis] | Tunes That Go Bump in the Night |
| 000427 |
Donald Gutierrez [États-Unis] | D.H. Lawrence and Modern Destructiveness |
| 000442 |
Jay Parini [États-Unis] | THE PROGRESS OF THE SOUL: DONNE AND HOPKINS IN MEDITATION |
| 000486 |
Elaine Brody [États-Unis] | ‘DIES IRAE’ |
| 000507 |
Richard L. Hoffman [États-Unis] | Structure and symbolism in the Judgment Day II |
| 000533 |
Paul Pascal [États-Unis] | The conclusion of the Pervigilium Veneris |
| 000544 |
Paul Henry Lang [États-Unis] | REVIEWS OF RECORDS |
| 000547 |
Paul Henry Lang [États-Unis] | Lenox, Massachusetts |
| 000561 |
Paul Henry Lang [États-Unis] | REVIEWS OF RECORDS |
| 000566 |
Morris Golden [États-Unis] | NOTES ON THREE GOLDSMITH ATTRIBUTIONS |
| 000626 |
Victor Lange [États-Unis] | Notes on the German Literary Scene 1946–1948 |
| 000635 |
A. A. Brill [États-Unis] | Thoughts on life and death |
| 000668 |
C. O. Arndt [États-Unis] ; Robert Kirkpatrick [États-Unis] | Exploring Foreign Languages and Cultures |
| 000758 |
Edward Mcgrath [États-Unis] | TENNYSON AND SCOTT |
| 000760 |
Richard H. Thornton [États-Unis] | A RHYMING WARNING TO BOOK-BORROWERS |
